Site built with
Site displayed with
Arthur Marks, perhaps to give himself some variety in directing a fairly formulaic show, gave us some nice camerawork here. There is a wide shot of Paul's office (perhaps the most inclusive of the series). Note especially the overhead and moving crane shots in the courtroom. See also the nice closeup on Mason as he makes the final turn to confront the killer. The final reveal is a bit of an overly-dramatic reading for the character, but overall this is a nice show to view. cgraul 7.23.12
About those glasses: Those eyeglass frames Frank Wells sports are typical of those worn by actors in early TV; there's no glass in them -- the better to avoid glare from the studio lights -- but they're so fake looking they detract from the believability of the character. And in the case of Mr. Wells, their exaggerated size doesn't help. Submitted by francis, 9/29/14.
+ It also doesn't help believability any when actors wear glasses with flat pieces of glass, especially when those studio lights are reflected in them. Submitted by Wiseguy70005, 11/30/14.
Same Mistake: Paul didn't learn anything in episode 75 (Paul Drake's Dilemma). Again he thought he was being played for a sucker and went to confront Amory Fallon. This time there wasn't a murder. Submitted by H. Mason 11/11/14
The Storm Before the Calm country music fans are probably familiar with the current song I Got the Boy, in which is expressed the sentiment "I got the hot head...she got the cool and steady hand": much the same can be said in comparing Wesley Lau's performance here with his later long-running role as "Andy" Andersen (the killer here, meanwhile, manages to demonstrate both calmness and hysteria...maybe all those paint fumes got to them both). Good though he was in the later role - and I don't think much more than one episode of this kind of emotional volatility would have been tolerable - it's nevertheless pleasing to see Lau given a part with a little more range. Submitted by Notcom, 121815.
This episode borders on self-parody. We get some over-the-top histrionics, (sorry, Mr. Lau), Perry deduces an elaborate scenario with virtually no clues, and, wow, is that a dramatic confession! DODay 9/27/17