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Stuart Erwin does an excellent job portraying a man in the grip of greed and guilt in this episode. This is quite a change from his earlier comedic roles. Personally, I will always associate him with the role of the unlucky-in-love hypochondriac Tommy Nash in the 1933 W.C. Fields film, International House. It's amazing that he had the range to seemingly have a total breakdown, complete with sweat and tears, in this Perry Mason episode. Submitted by Fifty-Niner on 23 April 2012.
His (Stuart Erwin) acting in this episode is certainly noteable ... I can think of few PM villains who have made me dislike them more, while also finding them darkly funny. Erwin's 'Clem Sandover' is a nasty piece of work, disloyal to wife and his employer all at once. But I had to laugh at his dialogue as well .. "I bought a sport coat!" Wow! Submiited by MikeReese, 2/13/2017.
Does anyone else feel that TCOT Double-Entry Mind belongs in the Twilight Zone? The eerie night scenes in the Bradbury Building, culminating in the ironic sound of Sandy's tape recording as he sidles down the stairs, seems inspired by Perry's friend Rod Serling. Submitted by 10yearoldfan, 13 September 2013.
Blonde Della: I enjoyed seeing Della (briefly) as a blonde. Is this the only time in the series when she wears a wig? Submitted by DellaFan, 10/11/2014.
Original Airdate: Does anybody know why there is a discrepancy in the date this episode was first shown? Somebody changed the date for this page. The CBS / Paramount DVD series says it was November 1, 1962. The Kelleher and Merrill book, TV.com and other sources say it was originally broadcast October 18, 1962. Submitted by H. Mason 12/18/14... IMDb and Wikipedia both give an original airdate of 18 October 1962...MikeM. 2/13/2017
I had to edit the original summary, it contained spoilers. Read the original summary if you want by clicking on the TV Show Book link at the top, but preferably after you've watched this episode. Submitted by DyNama, 1/20/2015
To my mind, this is by far the best episode of Season 6. It's Stuart Erwin's episode (and he takes it and runs with it), but he is assisted by a couple of neat plot twists and the truly noirish atmosphere of the Bradbury Building, as mentioned above by 10yearoldfan. Add Kathleen Hughes as a terrific (and, of course, duplicitous) femme fatale and what's not to like? Submitted by BobH, 20 March 2017.
I concur. It is certainly one of the most neatly and logically plotted episodes, with none of those gaps in logic we so often must ignore. DODay 11/13/17
That ubiquitous staircase set makes a brief, partialappearance when Frank Sellers takes a call from a frantic Clem. DODay 11/13/17