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I think this episode offers some commentary on doctors’ rather liberal use of sedatives and other powerful drugs in the 1960s, 1970s, and even today, especially on “hysterical” women. I have seen people do things in their sleep while under the influence of prescribed sedatives and hypnotics—things of which they have absolutely no memory the next day. Good for Raymond Burr (or whoever is responsible)! Submitted by gracenote, 4/1/2011.
In Perry's first office meeting with Bruce Jay, Della is lovely in a fuzzy sweater and a beautiful pearl drop necklace. jfh 26Jan2017.
Backlot Set: Anybody know which studio was home to the "T" intersection and streets where the drug bust happened? I have seen that location in at least a dozen productions. Submitted by H. Mason 4/7/15
+ very noirish scene!
+ + I can't identify the studio for sure, but it looks like the Warner Brother lot because of the short lamp posts. The marquee on the cinema facade when this episode was filmed read "Arcadia Theatre" -- so if you see that in an early to mid 1960s film, it would be positive identification.
The quote mentioned at the end of the episode is from the Oliver Wendell Holmes, Jr., 1881 book "The Common Law", "LECTURE I. — EARLY FORMS OF LIABILITY." Some context, from the Project Gutenberg copy: "It is commonly known that the early forms of legal procedure were grounded in vengeance....The appeals de pace et plagis [of (breach of) peace and wounds] and of mayhem became, or rather were in substance, the action of trespass which is still familiar to lawyers. But as the compensation recovered in the appeal was the alternative of vengeance, we might expect to find its scope limited to the scope of vengeance. Vengeance imports a feeling of blame, and an opinion, however distorted by passion, that a wrong has been done. It can hardly go very far beyond the case of a harm intentionally inflicted: even a dog distinguishes between being stumbled over and being kicked." lowercase masonite, 4/12/16.
Memorable Quote: "How much is it worth to be a sick, empty creature, drained of every drop of the joy of life ??" (And it turns out to be not just rhetorical!!)Submitted by Notcom, 042216.
A very entertaining episode with a real twist. The first half has a classic country house murder atmosphere, the second half more a film noir feeling. That staircase set appears yet again - it seems pops up about every third or fourth show. In his first conversation with Tracey, Perry mentions the legal defense of "irresistible impulse". This same defense comes up in that great legal thriller "Anatomy of a Murder". DO 1/30/18
Agreed. Did not see that ending coming, along with a few other twists. This episode makes up for the horrible --IMHO-- previous episode (which I couldn't even finish watching.)-yelocab 21JUN18
For only the 2nd or 3rd time in the show's history, Burger actually arrests the murderer, although he later lets them go. Submitted by PaulDrake33. 31 December 2014.
+ It's not clear that (s)he is actually arrested; maybe "in custody" would be a more precise description. Submitted by Notcom, 042216.
The Case of the Upside-Down Law Books: In this episode, an upside-down law book actually furthers the plot. (see Comments to episode 179). jfh 26Jan2017.
+ I cannot help but wonder if the previous instances of set-decorator hanky-panky going on with the upside-down law book in Perry's office led the writer to use this element for the storyline. Submitted by catyron, June 17th, 2018
The killer's use of an "antidote" drug is eerily echoed by the use of Narcan to save opioid addicts. DO 1/30/18