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The character Ned Beaumont was previously in Dashiell Hammett's 1931 novel "The Glass Key", and Beaumont's first scene (on page 1) is of him throwing dice in a gambling joint. Writer Jonathan Latimer worked on the screenplay for the 1942 movie version of "The Glass Key". Even though the 1942 and 1935 movie versions changed Beaumont's name to "Ed", I wonder if Latimer was attempting a homage to Hammett, who died in 1961. A less-silly story would have been better (why, for example, is Tony Cerro still alive?), though the double play of Ruta Lee and Myrna Fahey definitely chips in for enjoyment. Submitted by (lowercase, with a comma and period) masonite, 07/01/13.
+Toss in the delectable Della and make it a trifecta. Submitted by DellaFan, 1-19-2014.

The two times Jacob Leonard showed the photograph to Peter he asked Mr. Warren if he knew "the dark-haired woman". Myrna was the only woman (and just about the only person) in the picture. He should have asked: "Do you know this woman?" Submitted by H. Mason 4/30/15

When Perry calls Paul from the dead woman's apartment, he sure seems to go out of his way to reveal a lot of information for the benefit of Leonard.

Sound Effect: The doorbell at Myrna's apartment was heard twice. There was a chime beside the door that should have made a different sound. Submitted by H. Mason 4/30/15

The killer's comments near the end of the court hearing: "I couldn't have that. I just couldn't have that", were similar to remarks made by the killer in # 100 TCOT Lavender Lipstick. Jonathan Latimer was credited with writing the teleplay for both stories. Submitted by H. Mason 5/1/15

Right To A Speedy Trial, Quick Healing. After the apparent first day of the trial, Perry points out to Cerro that Cerro had never met Peter Warren until " two nights ago", at which time the scratches on Warren's face were still very fresh. jfh 27Feb2017.