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Roger Byrd's agile camerawork in the opening scene is little short of miraculous, as he seems to be able to shoot from multiple vantage points in consecutive, uninterrupted shots. He first shoots an extreme close-up of murderer Charles Houston about to push his wife and car over a cliff. Having clearly established Houston's close-up culpability, his rolling footage then jumps immediately to a long-shot of the car plummeting over the cliff. Submitted by BobH, 30 May 2016.

+ It's more than miraculous; it's simply impossible. In the beginning, he's about 500' directly to the left of the car in the bushes. This is how he gets the close-up of Houston. However, it's physically impossible for Byrd to suddenly be on the other side of the ravine Houston pushed the car into so he could take those last videos of the car plunging. Then return to the original vantage point to video Houston straightening his tie and suit coat.

However, after seeing this episode for almost 60 years, I finally realized something. Byrd only took videos of Houston pushing the car. The scenes of the car going over the cliff were NOT filmed by Byrd; instead, they are the action of the episode itself, and only there for our benefit. Proof of this is that the same footage was used in Ep#103, TCOT Provocatove Protege at 04:50. Submitted by Arisia, 02/27/18

+Rebuttal "In Camera" Testimony. If viewers check the episode again, they will see that virtually the entirety of the footage--from the close-up of Houston, through the distance shot of the car going over the cliff, and back to another Houston close-up--is shown through Byrd's camera's crosshairs, clearly indicating that the director wants us to assume that Byrd's camera caught the entirety of the dastardly deed, including the car going over the cliff. (The only break in the "continuous" shot through the camera's crosshairs is when Byrd is shown repositioning himself to take the last close-up of Houston.) The fact that the same long shot of a car plunging over a cliff is used in Episode 103 proves nothing more than that the director of that episode reused the same stock footage, minus the crosshairs. Submitted by BobH, 27 February 2018.

'Roger Byrd', blackmailer, reminded me of mystery writer Keating's (Inspector Ghote series) story, 'The Iciest Sin (or Crime), where he puts forth that a blackmailer has to be cold-blooded, conscienceless, to commit HIS crime. Byrd certainly fit the description - blackmailing the sister of the murdered woman? Evil!! Submitted 9/20/2013 by MikeReese.

Interesting Character Names: A WILDCATTER named HOUSTON, a WILDLIFE photographer named BYRD. Mike Bedard 2.17.15.

Roger Byrd is a particularly lucky blackmailer, catching not one but two murderers in the act: Charles Houston killing his wife, and Houston's killer leaving Byrd's hotel room after bumping off Houston. Submitted by BobH, 21 October 2016.

Crossed Colonials: I chuckle at Lucky Sterling's "Colonial Inn" each time I watch this. You would think that in Southern California, colonial would have a Spanish flavor, rather than the Paul Revere look we get here. I grew up near Philadelphia and worked at one such place during high school.