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#13: The Case of the
Original Airdate: 12/14/57
From The Perry Mason TV Show Book
Morey Allen's restaurant is a regular eating spot for Perry and Della. But on this night, Morey has a problem: One of his waitresses has been struck by a car while fleeing the steak house after spotting a man stalking her. She's left behind a moth-eaten mink, which hints that she might be one of those enterprising waitresses who "mingle with the guests" after hours. If word of this gets to the press, Morey will be ruined. When the man who frightened the waitress in the first place is found murdered, Morey and the waitress are strong suspects.
Perry and Paul take up Morey's defense--there's a very funny scene when the pair "interrogate" a dumb blond bombshell witness--and the episode climaxes with Tragg and the real murderer shooting it out in Perry's office.
+The shootout was Rare: Raymond Burr stated in a Charlie Rose interview that the series showed "the results of violence" rather than actual incidents of it [50th Anniversary DVD]. Mike Bedard 4.7.15
++ The only other episode I can think of where we see someone being shot is the season nine remake of this one. Are there any others? Duffy, 4-7-2015.
+++ Besides TCOT Moth-Eaten Mink and TCOT Sausalito Sunrise, the following episodes show people getting shot: TCOT Nervous Accomplice (#3), TCOT Lost Last Act (#60), TCOT Clumsy Clown (#102), TCOT Capering Camera (#196), TCOT Silent Six (#252), TCOT Scarlet Scandal (#261), TCOT Fanciful Frail (#265), and TCOT Final Fadeout (#271). Submitted by D. Tlougan, 4/29/15.
Douglas Kennedy as Sgt. Jaffrey
Robert Osterloh as Morey Allen
Kay Faylen as Dixie Dayton
Than Wyenn as Frank Hoxie
Roxanne Arlen as Mae Nolan
Grandon Rhodes as Judge Lennox
Marc Krah as George Fayette
Connie Cezon as Gertie
Brian Hutton as Parking Attendant
Jack Gargan as Bailiff
Lyn Guild as Drake's Operator
Don Anderson as Policeman (sighted by Ram Anand, 5/5/10)
CARS: Early 50s Cadillac series 75 limo, black, Early 50s Chrysler product Taxi. From The Cars by Greg Cockerill.
Pilot or not? This show was the pilot episode of the series. It was filmed in October 1956. Source: Perry Mason: The Authorship and Reproduction of a Popular Hero by J. Dennis Bounds who cites Jim Davidson, “Writing the Perry Mason Pilot: Interviews with TV Writers Ben Starr and Lawrence Marks,” National Association for the Advancement of Perry Mason Newsletter, no. 46, Winter 1990–91, 3, as his source. Submitted by daveb, date unknown.
+ There are several tip-offs that this episode was filmed far in advance of the other episodes. First, Perry’s hair is much thinner than in the other episodes. It is very short. Second, Perry has not yet acquired a vehicle, he uses a taxi for transportation. Submitted by PaulDrake 33.
+ Unfortunately, the script for this episode is undated. But, this is undoubtedly consistent with the view that this was the first episode (pilot). The call sheets for this episode would be particularly interesting. Submitted by billp. 4 November 2009.
+ In an interview on the 50th Anniversary Edition DVD, series producer Arthur Marks identified episode #15, “TCOT Fan Dancer's Horse,” as the pilot episode. Submitted by alan_sings 9 Oct 2010.
+ I think Mr. Marks’ memory my be faulty. In the same interview, he says the “pilot” was directed by Ted Post. Mr. Post is credited as Director for #13, “TCOT Moth-Eaten Mink,” with Maxwell Henry as assistant director. Marks also said he was the 2nd Assistant Director but none is credited. For #15, TCOT Fan Dancer’s Horse, William D. Russell is credited as Director with Art Marks, perhaps now hired on the series, as Assistant Director. Art Seid is credited as Editorial Supervisor in both episodes. Submitted by daveb, 11/1/10.
+ Lending more credence to the notion that this was the pilot: the introductory quality of the episode, including a walk through Perry's office suite, staffed by a small army, and one tell-tale sign -- the prop guys had yet to take the shine off the Rauland Amplicall Intercom on Perry's desk. Submitted by francis, 5/28/14.
+ It also seems that Paul's hair is the darkest it ever is in the entire series. Submitted by ProMason, July 1, 2014
++ I toss in that the spherical spice jar, usually at the right side of Perry's credenza, has not yet arrived. JohnK, 27 November 2015.
This episode of Perry Mason (TCOT Moth-Eaten Mink) is based on an Erle Stanley Gardner novel of the same name. The season nine episode titled TCOT Sausalito Sunrise (#260, 9.19) is also based on this same ESG novel. So this ninth season episode is often considered to be a "re-make" of TCOT Moth-Eaten Mink. See here. Submitted by Charles Richmond, 26 April 2013.
Location: This episode features a glimpse of the Los Angeles City Jail before the jail scene rather than the usual Hall of Justice shot. The HOJ is seen later before the courtroom scene. Submitted by daveb, 9/13/10.
Sightings: Blue Collar Guy appears as the cab driver outside of Morey's Restaurant. More about him and other frequently-seen people here. Submitted by alan_sings, 9/26/10.
Uncredited Actors: Don Anderson appears at least twice in this episode. He’s one of the uniformed policemen who answer the call to Morey’s restaurant. Later, he is a courtroom spectator wearing the same distinctive light sport jacket he wore in episode 2. He may also be a diner at Morey’s who’s leaving just as Mason and Della arrive, but it’s difficult to see clearly. Submitted by FredK, 30 September 2010.
Location: About 17 minutes in there is a quick exterior shot of Los Angeles County USC Medical Center. Submitted by Eric Cooper 5 November 10
Interior Decoration: Perry’s office painting has moved back to its position in the waiting room. (See Submitted by evelyne, 12 February 2011.
Syndicated cuts: Mason greets Jerry and Gertie; entire scene of Mae, Paul and Perry; Paul leaves to dig up info on Fayette; Mason tells Della to tell Jackson to put a hold on a memo; Della calls Perry to tell him Morey has disappeared; Mason arrives at Keymont Hotel by taxi, talks to night clerk who sees the floor where Mason goes; scene in Mason's office with Mason, Della and Paul saying that Morey or Dixie can't be put on the stand and how Hoxie knew they went to room 721. Additional Hallmark cuts: In the restaurant, Della asking why would anyone hide a pawn ticket in a mink coat, Mason asking why would Morey be concerned about a waitress he knew for only 10 days and the discussion over whether it's a romance; part of Mason walking down the corridor of Keymont Hotel looking for room 721 before he pauses and continues; interrogation of Drake and Mason in room 815 from when Tragg tells Mason to cut stalling to Jaffrey asking why are they in a room with a man who's been shot; interrogation of Drake and Mason in room 721 when Jaffrey relates the history of the cop killing and telling Drake he'll find out who did it and if Drake gets in his way he'll lean on him; Tragg telling Mason he has responsibilities as officer of the court and if he ducks it or obstructs the police he'll face consequences; part of Mason and Morey's jail conversation where Mason tells him Dixie and Tom took Claremont's murder weapon to Portland, telling Morey to sit down and take it easy and Morey saying Tom really did kill Claremont; part of Hoxie's testimony where Mason asks him if he tried to get a job at another hotel, Burger objecting, the judge overruling and Mason withdrawing the question. Submitted by Wiseguy70005, 7/16/12.
This episode must have been scheduled earlier than expected. Although it was broadcast in December 1957 the copyright date indicates 1958. Submitted by Wiseguy70005, 6/09/13.
Cold case / old case: Perry also solved the murder of police officer Robert Clairmont killed a year earlier. Submitted by H. Mason 9/27/14
Hushed Hoodlum: Even though George Fayette speaks no lines and is on screen for just a few seconds, actor Mark Krah gets a credit at the end. JohnK, 27 February 2016
The episode opens with an establishing shot of a long, busy boulevard at night. We see a sign at the right that says Mayflower. That's the old Mayflower Hotel at 535 S. Grand Avenue in Los Angeles. For a modern view, see here. In the episode, we're looking roughly south on the street in the direction of W. 6th Street. Today the hotel is called "Checkers," and it's in a canyon of large, ugly buildings. LA was a lot nicer in Perry's day. billp 1/12/09.
In the final scene, why didn't Perry and company ask for Mae to be their waitress? Submitted by H. Mason 9/30/14.
Why do Perry and Paul have the same odd-looking headboard on their beds? Submitted by scarter, 1/20/15
There were some interesting Money amounts for 1957: a $1,000 Retainer & a $100 Bail Bond. Amendment 8: "Excessive BAIL shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted [taken word for word from the 1689 English Bill of Rights]." Mike Bedard 4.7.15