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#171: The Case of the
Original Airdate: 02/14/63
From The Perry Mason TV Show Book
Bruce Jason has a doppelganger, an exact double. The identity of that man is the key to this case about murder and foreign intrigue, which revolves around a struggle for possession of the supposed diary of a certain Iron Curtain dictator.
+ Winston Churchill coined the "Iron Curtain" phrase in a 1946 speech in Harry Truman's Missouri. Mike Bedard 6.1.16. //
Hugh O’Brian stars in a double role, playing both Bruce Jason, the lawyer who defends Elihu Laban in a murder trial, and one of the murderers who killed two victims.
Starring Raymond Burr
With special guest star Hugh O’Brian
in The Case of THE TWO-FACED TURN-A-BOUT
Based upon Characters Created by Erle Stanley Gardner
Barbara Hale, William Hopper, William Talman, Ray Collins
Directed by Arthur Marks
Written by Samuel Newman
Art Seid | Producer
Gail Patrick Jackson | Executive Producer
Jackson Gillis | Associate Producer
Samuel Newman | Story Consultant
Raymond Burr as Perry Mason
Barbara Hale as Della Street
William Hopper as Paul Drake
Wiliam Talman as Hamilton Burger
Ray Collins as Lt. Tragg
Wesley Lau as Lt. Anderson
Hugh O’Brian as Bruce Jason
Lisa Gaye as Alyssa Laban
Trevor Bardette as Garrett Richards
Abraham Sofaer as Elihu Laban
Robert F. Simon as Philip Hillman
Werner Klemperer as Ulric Zenas
Berry Kroeger as Darius Tyson
Gregory Morton as Amos Waldemar
Joan Petrone as Tess Noyman
Kenneth MacDonald as Judge
Henry Travis as T.V. Reporter
Walter Mathews as Reporter No. 2
Charles H. Radilac as Franz Schreck
William Woodson as Commentator
Dale Johnson as Ride Attendant
Director of Photography … Robert G. Hager
Art Direction … Lewis Creber
Assistant Director … Gordon A. Webb
Film Editor … John D. Faure
Casting … Harvey Clermont
Makeup … Irving Pringle
Hair Stylist … Annabell
Wardrobe Supervision … Ed McDermott, Evelyn Carruth
Set Decoration … Charles Q. Vassar
Properties … Ray Thompson
Production Sound Mixer … Herman Lewis
Script Supervision … Cosmo Genovese
Theme Composed by … Fred Steiner
Automobiles Supplied by … Ford Motor Co.
Produced by the CBS Television Network in association with Paisano Productions
Location: The Laff in the Dark ride featured in this episode was at the Long Beach Pike. The “airport protest” scene was staged outside the lobby of the Long Beach Arena, a few blocks from the Pike. Show pictures here. Submitted by D. A Supernaw, 6/21/2005.
+ If you listen carefully, you'll notice they even try to enhance this illusion aurally by dubbing in jet sounds !! (Unfortunately the effort crashes and burns just a few second later, when the arriving parties transfer to cars, and downtown Long Beach is seen in the background... just a block away.) Restored by Notcom, 052517
Goof: When Elihu meets a former agent, the latter repeatedly mentions the Tunnel of Love as the ride in which a certain transaction will take place. However, it is not the Tunnel of Love but rather Laff in the Dark (see above), which is more of a light horror show, not at all romantic. Submitted by gracep, 1/27/2011.
Uncredited Actors: At the airport, Don Anderson appears momentarily as a uniformed cop standing behind Lt. Tragg. Bert Stevens is one of Schreck’s (Charles H. Radilac’s) bodyguards, clearly visible as they are leaving the terminal and later as Schreck boards the Laff in the Dark. (He could, however, be a plainclothesman.) And Sgt. Brice (Lee Miller) is among the plainclothes contingent escorting Schreck. Submitted by gracep, 1/27/2011.
+ Anderson also appears very briefly as one of the line of officers providing security at the amusement park. Submitted by FredK, 27 January 2011.
Sightings: Several favorite frequent faces turn up for this hearing of international import: “Miss Carmody”, Pencil Mustache Man, Distinguished Gentleman #1, and the Little Old Lady in a Hat. Read more about why we are spotting these people here. Submitted by gracep, 1/27/2011.
+ Continuity Error: At times, those last two spectators magically teleport from one side of the courtroom to the other, from one cut to the next. Submitted by gracep, 1/27/2011.
In the Sightings Department: When Elihu Laban and his Contact enter the darkened "workroom" in the Laff in the Dark ride, there's a crate in the middle of the floor with a spotlight trained on it (12:36). Hey! It's one of the crates from the Claver Collection! Elihu's Contact turns the overhead light on and moves the (now empty) crate to gain access to the trap door. Referring to the linked "Extras/Show127" page, it's the exact-same crate as the one:
Location: The porch of a house with the address of 1432 is used for scenes at the Laban residence as well as a scene in #218, TCOT Bullied Bowler. I don’t know what street this was but the 1400 block would be just a few blocks north of the studio in Hollywood. Submitted by Eric Cooper, 28 April 2011.
+ It also serves as Floyd Grant’s house in #167 TCOT Bluffing Blast. Submitted by gracenote, 7/25/2011.
“Didn’t Papa Bear want to see Disneyland?” asks Anderson. He’s referring to Soviet Premier Nikita Khrushchev, who visited the US in September 1959. He was supposed to visit Disneyland, but because of security reasons, it was skipped. Submitted by gracenote, 7/25/2011.
Nice try by the producers to insert the recuperating Mason into this episode: His scene “together” with O’Brien’s character was shot separately. Note the different lighting and the fact that they never appear in the same shot. Submitted by Francis, 12/11/2011.
Robert F. Simon and Werner Klemperer both appeared in episode #27, 1958's TCOT Desperate Daughter. Submitted by Wiseguy70005, 6/25/12.
Who's Who in News? The Cast List contains two Reporters and a "Commentator":
In front of Laban's house, shortly following the opening funeral scene:
Their voices impressed me and I wanted to know who was who. Added by Gary Woloski, 8/27/13.
+William Woodson was the Narrator for "The Winds of War" & "War and Remembrance" mini-series. Mike Bedard 2.5.15.
CARS. The car identifications are somewhat uncertain because, other than for the two '63 Ford taxis, the camera did not catch much sharp, identifiable detail on the vehicles in this episode.
Background Cars. The other light-colored taxi that appears in the background at least once is also a 1963 Ford Galaxie 4-Door Sedan. An inter-city bus of unidentified make/model/year/livery is the backdrop to Schreck standing by his limousine at 14:38. Added by Gary Woloski, 8/30/13.
The TELEVISION CAMERA deployed by the KNXT NEWS mobile unit is almost certainly an RCA TK-30 or, alternately, a TK-10 or TK-30A. The TK-10 and TK-30 were both introduced into service in 1946 and were virtually identical in external appearance. The TK-30 was the field version of the TK-10 but was also used in studio. These cameras were used until at least 1964, as confirmed at eyesofageneration.com (scroll down to "CBS Section", look for Jackie Gleason). Also look for CBS network president "paint em grey" Frank Stanton who ordered that RCA insignia be removed from CBS cameras and that they all be painted a uniform grey. Photos of a surviving example here. Added by Gary Woloski, 8/26/13.
ID is based on comparison of the episode video with online images. I have no qualification or personal experience in vintage TV cameras! I have, however, consulted more sources than just those used here as links and found them all to be 100% mutually supporting with no contradictions. GSW
Goof: Schreck was supposed to enter the amusement park at noon; but by the shadows seen at 14:54, it must be sunrise. It just dawned on me that they must have filmed the amusement park scenes early in the day, before the park opened to the public. --submitted by 10yearoldfan, 15 November 2013.
Hugh O'Brian: Was the star of the ABC television show The Life and Legend of Wyatt Earp. Original episodes were broadcast for six seasons from 1955 to 1961. Submitted by H. Mason 1/17/15
A mobile unit of KNXT television news is stationed in front of Laban's house early in the episode. KNXT Channel 2 Los Angeles was the real-world CBS Television Network station carrying Perry Mason when this episode #171 first aired (see this ad by CBS TV in the Television Age issue of August 5, 1963). Here is a thumbnail history of CBS TV in Los Angeles:
During the years of the Perry Mason series, the KNXT station was located:
. Before the '60s, news coverage on television was extraordinarily sparse, amounting to an hour or less per day on any given channel.
I recommend Bill Harvey's article 'The Big News' was big news in broadcast world, Los Angeles Times May 22, 2011. Submitted by Gary Woloski, 8/22/13.
Telephone Call: Why did Paul send Della to find a telephone? What happened to his car phone seen in episodes 107 and 157? Submitted by H. Mason 1/17/15
The Summary gives away way too much information. It shouldn't mention "doppelganger" at all. Submitted by 65tosspowertrap, 11/13/2013.
+I never got the impression the foreign characters were Russian. Added by H. Mason 1/17/15
"Have you been injured in an accident?" I chuckled when Alyssa Laban asked Bruce Jason if it was ethical for lawyers to advertise. Whenever I watch Perry Mason on MeTV, I'll see several ads from ambulance-chasing lawyers. Submitted by 65tosspowertrap, 11/13/2013 (revised 10-29-2014)
"The Office of Strategic Services was initiated by General William J. Donovan with the approval...of President Franklin D. Roosevelt to...provide intelligence needed for wartime activities...Branches of the OSS included SI (Secret Intelligence), SO (Special Operations), OG (Operational Groups) & MO (Morale Operations)," www.ossog.org states. CIA.gov observes that OSS employed 13,000 (including 4,500 women); 7,500 served overseas (including 900 females) & the agency spent $135 Million during its 4 years of operation. Following OSS's post-war disbandment, the National Security Act of 1947 created the CENTRAL Intelligence Agency as our 1st Permanent, Civilian espionage entity. Mike Bedard 2.7.15.
Wrongful Role: I'm Lisa Gaye's biggest fan, and she's beautiful when angry. But she falls short playing righteous indignation in this episode. Much better as the petulant wife as in TCOT Traveling Treasure. JohnK, 25 October 2015
+She's also beautiful when she's not angry, but not even her presence can salvage this gobbler of an episode. Submitted by BobH, 5 March 2017.
The "Blacked-Out" headlights on the taxi, Car(1), are probably high-beam headlamps with high-color-density RED lenses. A few references I've found (police car photo books, etc) indicate that circa-1962/63 a few US states allowed emergency vehicles to use warning-light systems of this nature. The low-beam (uncolored) and high-beam (red) headlamps would alternately flash. Added by Gary Woloski, 11/13/15.
Learning from the Master This is perhaps the series' purest example of a MacGuffin: we hear about the Volney Papers - God do we hear about them...over and over again !! - but we never really learn what's in them or if they're as important as everyone thinks. Submitted by Notcom, 030916. //
FORT DIX, NJ was mentioned as the starting point for the OSS operation: PFC John F. Bedard met Margaret Tighe at a FD dance and later married. Mike Bedard 5.28.16.
"A Case of (Mixed-Up) Identity." Just to add to the infinite confusion of this episode's plot, it would have been appropriate if it had been revealed in the epilogue that the killer was actually Earl Mauldin in disguise. (See Episode #74, TCOT Startled Stallion.) Submitted by BobH, 5 March 2017.