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#213: The Case of the
Original Airdate: 10/01/64
From The Perry Mason TV Show Book
Politician Jason Foster is running against Randolph Cartwell for a state senate seat, but it doesn't look to be a clean race. Foster's rebellious sister Susan has been secretly dating David Cartwell, the son of Jason's opponent. Little does she know she's being used as a pawn in a dirty tricks campaign by Harry Mardig, a political boss.
When David Cartwell turns up dead, Jason's wife Margaret is accused of the crime. Perry comes to the rescue, but he finds his client is not being very helpful. The reason: She believes her husband may have committed the crime.
Starring Raymond Burr
in The Case of THE PAPER BULLETS
Based upon characters created by Erle Stanley Gardner
Barbara Hale, William Hopper, Ray Collins
Directed by Arthur Marks
Written by Jonathan Latimer
Arthur Marks \ Art Seid | Producers
Gail Patrick Jackson | Executive Producer
Jackson Gillis | Associate Producer
Samuel Newman | Story Consultant
Raymond Burr as Perry Mason
Barbara Hale as Della Street
William Hopper as Paul Drake
Ray Collins as Lt. Tragg
Music Composed and Conducted by Richard Shores
Music Supervision by Herschel Burke Gilbert
Richard Anderson as Jason Foster
Lynn Loring as Susan Foster
Patrick McVey as Harry Mardig
Jan Shepard as Margaret Foster
Melora Conway as Alma Rice
Ford Rainey as Randolph Cartwell
Arthur Space as Edgerton Cartwell
Frank Marth as Carl Rohr
Booth Colman as Prosecutor
Stewart Moss as David Cartwell
Carl Prickett as Rufus Findley
House Peters, Jr. as Lt. Jeffers
Lou Krugman as Gambling Boss
Joel Fluellen as Bartender
Paul Barselow as Coroner’s Physician
Jason Johnson as Judge
William Tracy as Photographer
Ann Ayars as Woman Reporter
Robert Rothwell as Campaign Worker No. 1
John Truax as Taxi Driver
Barry Brooks as Croupier
Jack Fife as Campaign Worker No. 2
Charles Stroud as Court Clerk
Director of Photography … John M. Nickolaus, Jr.
Art Direction … Lewis Creber
Assistant Director … Gordon A. Webb
Film Editor … Richard W. Farrell
Casting … Harvey Clermont
Makeup … Irving Pringle
Hair Stylist … Annabell
Wardrobe Supervision … Ed McDermott, Evelyn Carruth
Set Decoration … Carl Biddiscombe
Properties … Ray Thompson
Production Sound Mixer … Herman Lewis
Script Supervision … George A. Rutter
Theme Composed by … Fred Steiner
Automobiles Supplied by … Ford Motor Company
Produced by the CBS Television Network in association with Paisano Productions
William Tracy makes the final of 3 appearances on Perry here playing a tangential role of the photographer. William Tracy was probably best known for his role as Pepi Katona in the wonderful Ernst Lubisch film The Shop Around The Corner. Sadly this would be Mr. Tracy’s final appearance in either TV or film as he would die much too young at the age of 49 in 1967. Submitted by PaulDrake 33, 19 August 2009.
Goof: The sign outside the public house unmistakably reads “Red’s ,” but everyone in the episode calls it “Red’s .” Submitted by gracenote, 3/29/2011.
+ Just after the opening credits (46 seconds into episode, 2012 Paramount DVD), the sign is: RED'S REEF [with "REEF" in smaller letters]
BAR AND GRILL
I suspect that a syndication print on a TV screen can make such signage difficult to read. Submitted by masonite, 12/10/12.
+The photograph Margaret picks up off the floor at the murder scene shows Susan in the custody of the police officer outside RED'S REEF. jfh 24Jan2017.
RED'S REEF BAR AND GRILL: was the site of the murder in episode 207 TCOT Antic Angel, with the victim getting killed in the parking lot. Added by H. Mason 4/5/15
Sightings: Through the doorway of Randolph Cartwell’s office we spy “Miss Carmody” as (presumably) his secretary. At the hearing, we find Quiet Old Man #1 has made the field trip to see Perry in action. That might be Distinguished Gentleman #1 as a cheerful pub customer in the opening scene, but it is definitely he as a nameless campaign worker at the end. Submitted by gracenote, 3/29/2011.
Another TR! The "small foreign-built car" with which Margaret dings Rufus Findley's danged truck while she's fleeing "David's house on the Cartwell Estate" is a TRIUMPH TR4 (produced 1961-65). The car has the optional "Surrey Top", a hardtop with a removable central section over the seats (more info here). TR4 was the world's first production car to have such a roof system. The idea was later used by other manufacturers and became more commonly known as a Targa Top.
The appearance of a current-production TR in this episode is curious:
It seems to me that someone at CBS/Paisano might have had a preference for TRs over Mustangs! Added by Gary Woloski, 1/10/12.
Uncredited Actors: Parading down the street and cheering with lots of fellow Foster supporters is Don Anderson, who later turns up to watch Perry defeat yet another prosecutor. Robert Wegner, great uncle of a wiki participant, is also there to see Perry triumph, and at least one session he is sitting in front of Anderson. Submitted by gracenote, 3/29/2011.
Job Transfer: Actor Charles Stroud appeared as Court Clerk in ten previous stories, all set in Los Angeles. This time he did the job outside of the city. Submitted by H. Mason 4/5/15
Location: The house used for the Foster Campaign Headquarters was part of the Manzana Valley Prep School in episode 186 TCOT Decadent Dean. Submitted by H. Mason 4/5/15
FAIT ACCOMPLI - the French phrase spoken in the story means: something already done or in effect, making opposition or argument useless. From Webster's New World College Dictionary - Fourth Edition (2006). Submitted by H. Mason 4/5/15
This is the only PM appearance for Lynn Loring, who was married to actor Roy Thinnes for about seventeen years...MikeM. 1/24/2017
This is the third of three PM appearances for Patrick McVey, who was a lawyer before he became an actor...MikeM. 1/30/2018
This is the fifth of five PM appearances for Melora Conway, who was married to director/photographer Dene Hilyard from 1961 until his passing in 2008. In 1964, Melora Conway starred in Hilyard's film, "Vengeance"...MikeM. 6/5/2018
Jason Foster's arguments against his opponent's conservation views look pretty bad in retrospect to this Southern Californian! In fact, I fail to see what makes Foster a good candidate for state senator. He acts precipitously and violently throughout the episode! Not only that, but he calls his little sister "Kitten" and "Baby," which creeps me out a bit. I for one was sad when he won the election!
+ And once again, as I said in TCOT Borrowed Baby, I really feel for her. Della, don't give up! Submitted by DellaFan, 12/19/2013.
Bachelorhood Doomed? In the last shot of the Final Wrap scene, Perry, referring to another male character, says "A good man is worth fighting for." Della, smiling beautifully and cuddling his shoulder, gives Perry a very long-lasting look of admiration/love/etc and utters a single one-syllable word which I couldn't make out at all.
With me, this rates right at the top, along with Della's tears in the final wrap of TCOT Borrowed Baby and a few other scenes in which she gave Perry those looks! Submitted by Gary Woloski, 1/12/12.
+ I agree this is one of Ms. Hale's finest moments. What an actress! The word she utters is simply, "Yeah..." Agreeing that a good man is worth fighting for, meaning, of course, Perry! Submitted by dwhite 28 Feb 2012
There was a hint of Perry and Della getting together at the end of episode 208 TCOT Careless Kidnapper. They didn't enter the party and the dialoge seemed to indicate there was something serious in the works. Added by H. Mason 4/5/15
Although not yet mentioned, I am sure everyone knows Richard Anderson makes his second PM appearance here, and the following season he became a regular as Lt. Steve Drumm. It's always interesting to see actors shift characters within the same series. cgraul 12.29.14
+Dan Tobin will appear in the next episode "Scandalous Sculptor" as Dickens before his other 14 appearances as restaurateur Terrance Clay [IMDb]. Mike Bedard 4.7.15
The policeman enters the bar and arrests Susan Foster for underage drinking and escorts her out without so much as a by-your-leave to the bartender. The last time I checked, serving alcohol to a minor was against the law, and the bartender should have been cited along with the management of the establishment. And it matters not a whit if the minor had a fake ID. Submitted by PaulDrake33. 29 December 2014.
+ But in this context the arrest of only Susan makes perfect sense: remember it was a political set-up, not a law-enforcement action. cgraul 7 april 15
+ Actually it does matter a whit, since falsification of age is a defense (though not necessarily a successful one). What seemed curious here was that the gendarme asked Miss Foster for her "ID Card", then for her CDL; presumably this was b/c he felt the first wasn't authentic, but it makes little sense why he wouldn't just ask for a license in the first place. Submitted by Notcom, 042016.
The lighting in the courtroom was very unusual, even for PM. It is very high-contrast, and shifts from an even blanket over the entire courtroom to isolated highlights. Look, ie, at Perry's examination of Harry Mardig - spots on Perry and Harry, the rest of the people much darker. The same occurs during the court interlude when Foster, Susan and Perry are talking. cgraul 7 april 15
Paul Barselow, playing the Coroner's Physician, delivers his lines in a strange way. His tone seems rather strident, more like the way a witness under cross examination would talk, rather than an expert giving dry scientific testimony.
Submitted by scarter, 4/19/15
+ He was freakish. Submitted by catyron, June 15th, 2018
I do not recall another episode where powder burns were so visible on the body. There is usually no sign of any bodily injury. Also when the record player was playing the 45 it reaches the end, arm picks up, and starts playing off camera what seemed like a different song (new record)d yet there was no records to drop on the platter. Submitted by Perry Baby 10/18/16