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CARS: 1957 Mercury Monterey Convertible, 2-tone: medium color & white, white top up (described as “beige & brown”), 1957 Ford Skyliner retractable, black, top up, 1957 Ford Thunderbird, black, w/ hardtop (Drake), 1957 Ford 2dr sedan, light color. From The Cars by Greg Cockerill.
Perry and Della dine at the classy Ferrolds Cafe. Perry complains about the $1 price of coffee. Across the room is a picture of a woman in a white dress. It’s an 1895 poster of May Milton by Toulouse-Lautrec. No wonder Mr. Ferrold charges so much! Learn more at the Indianapolis Museum of Art. Submitted by Leah, 7/12/02.
Vincent G. Perry, who had a very abbreviated acting career, makes his only Perry appearance here as the Judge. I had to look twice to be sure he was not a different judge, the judge in “TCOT Final Fade-Out,” Erle Stanley Gardner. His appearance is quite similar. Submitted by PaulDrake 33, 4 December 2009.
+ Ontario-born Vincent George Perry has 21 IMDb Actor credits from 1954-73. Mike Bedard 4.21.15
For much of this episode (at least 3 days) it is raining. Many of the main actors are wearing raincoats. Yet in spite of the rain, on two consective days when Perry drives his car to make visits, he gets out of his automobile, goes into the house, and leaves the driver's side window rolled down in the rain. Submitted by PaulDrake 33, 21 February 2013.
+ He did leave it rolled down in the scene where he arrived with Drake, but it wasn't raining; he mentioned that it had been raining "until an hour ago." Submitted by francis, 5/24/13.
Not one, but two applications of the "Pitkin Principle" (mentioned in my comments for Episode 18, TCOT Cautious Coquette) in this episode. ESG's Medford Carlin becomes Samuel Carlin, ESG's Arthman Fargo becomes Arthur Fargo. Submitted by BobH, 9 January 2016.
In the opening scene, bus passenger #2 (the woman with the black hat carrying the polka dot handbag) is the same actress (Jeanette Nolan) who played Mrs. Kirby in the previous episode, #22, TCOT Fugitive Nurse. Submitted by Kim, 7/5/10. Pictures here.
+ That's not Jeanette Nolan, who certainly didn't need to hire out as an extra at this point in her career. Submitted by francis, 5/24/13.
The newspaper held by the eavesdropping private detective in the first scene has a screaming headline “PROMINENT ATTORNEY ....” (the rest of the headline is obscured). This newspaper is from an earlier episode in the first season when Perry is charged with perjury. Submitted by Kim, 7/5/10. Pictures here.
Speaking of LA Chronicles: At about 25:35 on the 2006 Region 1 Paramount DVD is a newspaper with the screaming headline WIFE INDICTED FOR HUSBAND'S MURDER, subhead "Marian Fargo Accused of Shooting Husband", and a photo of Marian Fargo. But there's no associated news article. (26-year-old Angie? Yep, that's all I need.) Submitted by (lowercase, with a comma and period) masonite, 07/22/13.
Uncredited Actors: This is another two-fer episode for Don Anderson. As the scene at Ferrold’s Restaurant begins he is talking to headwaiter Pierre (played by Jan Arvan) as Marian Fargo (Angie Dickinson) watches Mason and Della arrive. Later in the episode, after the explosion at Carlin’s home, he plays a uniformed policeman who stands in the driveway where Mason and Paul are watching the action. Submitted by FredK, 30 September 2010.
+ Actually, we see Anderson at the restaurant when Marian herself arrives. Submitted by 65tosspowertrap, 4-6-2014.
Location: About 27 minutes in there is a quick exterior shot of Parker Center at 105 N. Los Angeles Street. Submitted by Eric Cooper, 10 January 11. 150 N Los Angeles St.
Sightings: A busboy at Ferrold’s is none other than the Pencil Mustache Man, all bedecked in white. Distinguished Gentleman #1 plays a witness at the fire scene and the court reporter. A courtroom spectator. is Distinguished Gentleman #2. More here. Submitted by gracenote, 8/30/2011.
+We see Distinguished Lady #4 in the opening scene at the bus station and later in court behind Perry. We also see the Pencil Mustache Man at the bus station after the murder. Submitted by BigBill767, Nov 11, 2016.
Syndication cuts: Della gets call from Drake's operator who's trying to locate him; Drake at pay phone with date [see comment below] and Della telling him to meet Perry at Carlin's; Nora and Diana leave and their conversation; scene with Mason and Marian concerning Charles, blackmail and the gun that killed Carlin and her husband; scene with Charles at his apartment with Daniels. Additional Hallmark cuts: Perry and Della driving away from Carlin's house; part of Perry watching the Carlin house before the woman arrives; fire truck #3 arriving, the fire, the firefighters readying the hoses and Perry watching; scene with Drake and the waiter at Ferrolds; Drake tells Perry he can't locate Pierre; Perry calls Lt. Tragg; part of Della and Charles' conversation about Charles talking to Mason, an officer of the court who would have to turn him in; another conversation with Mason and Marian about truth, alibis and Charles. Submitted by Wiseguy70005, 7/17/12.
After the explosion Perry tells Paul to call the fire department and Paul rushes off. Right before the scene segues to the next one we see Paul returning. Did he have to borrow a nickel from Perry to make the call? Did he spend all his loose change on his abandoned date? Or maybe Paul made the call from his cell phone enabling him to return quickly. Submitted by Wiseguy70005, 11/18/13.
After the fire trucks arrive we see Perry talking with the neighbors, followed immediately by a close-up of him watching the fire and then segues back to him talking with the neighbors as Paul returns. Submitted by Wiseguy70005, 11/18/13.
After Perry sees the body through the window, he makes no attempt to hide his fingerprints when he opens the door although he later uses his handkerchief on the phone when he calls Tragg. Submitted by Wiseguy70005, 11/18/13.
Paul tells the waiter he's not hungry. Is that a first for Paul? Submitted by Wiseguy70005, 11/18/13.
+ Speaking of Firsts, is this the 1st/Only time Della addresses Paul as "Mr. Drake" [over the phone scene]? Mike Bedard 5.3.16 MeTV airing.
Mason tells Carlin that his client said he had to see him tonight. We seem to hear the entire phone conversation between Mason and Marian and she says no such thing. Submitted by Wiseguy70005, 11/18/13.
Most characters pronounce Los Angeles with a soft-g sound. Diana Maynard consistently pronounces with a hard-g sound. In Burger's examinations of Diana Maynard he pronounces it both ways. Submitted by Wiseguy70005, 11/18/13.
Incorrect show summary: Perry actually received two envelopes. One contained his $500 retainer; the other contained (presumably) $10,000 he was to give to Carlin (although it looked awfully thin to contain $10,000). Submitted by 65tosspowertrap, 4-6-2014.
Continuity: When Perry and Della leave Carlin's house, the coat hanging next to the door is wet. When we see it again thirty seconds later, it is dry. Submitted by Alan Smithee, 4/7/14.
It's for you, Mr. Mason: A baffled Perry has just sat down at Ferrolds Cafe when Pierre, the headwaiter, brings him a telephone and advises him that it's a "her" calling. Submitted by francis, 6/07/14.
Burger's office (@ 40:04) appears to have been redecorated since "The Runaway Corpse" (@ 25:02). There is slightly different lettering on the door, his desk and chair are different, the coat/hat rack and large lamp in the corner have been changed, and the back door now has a "PRIVATE" sign on it. However, the back door itself appears to be the same door and Burger's desk lamp and ashtray may be the same although the lamp now looks a little darker. Submitted by Wiseguy70005, 6/21/14.
Vanishing address: As Perry and Della leave Carlin's house there are numbers on the door. The numbers were not there when they arrived and were gone when Carlin watched them leave. The numbers reappear when Charles leaves the house. Submitted by H. Mason 10/3/14
+ Continuity goofed. Different sets were used for the interior and exterior shots, as, in those days, exterior sets practically never had finished interiors, and interiors were missing whole walls to accommodate all the crew, cameras, sound gear, etc. Whoever was supposed to check missed that the door on the exterior set had no numbers on it. OLEF641; 8/30/2017
License plate: The license plate on Perry's Ford has changed from HGA 056 to MPJ 638. Submitted by H. Mason 10/3/14
They are now using the courtroom setup where the witness stand cannot be seen from the defense table and vice versa. The front of the witness box is inline with the judge's bench. In some episodes, you can see Perry sticking his out when they do a behind the witness shot toward the defense table. It looks like poor planning and should have been fixed immediately. Eventually, it is corrected with the witness box jutting out. Part of the problem is the space in front of the prosecutor/defense tables is tight in some shots. Submitted by Perry Baby 12/5/14.
Sponsored Items: I watched this episode on MeTV and once again I saw the same FOUR sponsored items pictured at the end in episode 7 and 21 show up here. This time, I WAS ABLE to see that the FIRST one was actually "Sweetheart Soap", as helpfully provided by Wiseguy70005 on 4/14/15 for episode #7. The picture and lettering were VERY clear in this one...YAY! ;-> The Second was "New Blue Dutch Cleanser". The Third was "trend" (with a lower case, "T"). The Fourth was "Beads-O'-Bleach". Submitted by mesave31, 04/21/15.
Angeline "Angie" Brown was married to football player Gene Dickinson from 1952-1960...MikeM. 8/9/2016
In the original novel, the reason the lady stayed silent was that her husband was involved in an adoption/blackmail racket centred around a woman supposedly of Japanese ancestry who was working at the Golden Goose, the restaurant that features in both the novel and the episode. The child's new family would be informed that the child's mother was empluyed at the Golden Goose, and from the girl hired to play the part, they would learn that she was supposedly of Japanese ancestry. The girl would then apparently sue for custody of the child, and the family would pay out money for fictitious private detectives and attorneys who they thought were working for them . . . Hermit Crab. 2/2/2017
Several scenes with Civil Defense posters complete with mushroom clouds. In the bus station at the beginning and later on a building wall when Paul is using the telephone booth. Submitted by Kilo 5/24/2017