In general, the 1960s marked a shift toward more realistic acting. Yet later seasons of PM seemed to be deviating into 1920s territory with overdramatic gesticulating and hysterical sobbing from both men and women. A few of the characters became downright manic rather quickly and sometimes ridiculously. I'm not sure if PM hired new writers this season, but the dialogue seemed to be getting more unrealistic and more obviously contrived to create suspense. When the secretary calls the police to report Comstock's suicide, she screams into the phone, "Mr Comstock is going to commit suicide." Cut to commercial. Yes she was upset but it was laughable thinking about what the police dispatcher must have thought. Who the heck is Mr Comstock? And who are YOU?
And the behavior of Mrs Comstock was also comical. Her wide eyes and weird mouth contortions made her look almost clownish. Even if she was supposed to be doped up on pills, nobody would behave like that. The hysterical crying and yelling at everyone in her "grief." She was like a poor man's Joan Crawford. Maybe this was just another case of making all the female characters look emotional and irrational. However, this doesn't account for the hysteria of some of the men in the episode too. There is a way to create suspense without adding unrealistic dialogue and overdramatic unrealistic acting."
And then there's the change we are seeing in Andy. He suddenly has become very rude to Perry and is throwing his weight around. Yes, it's meant to create suspense, but for regular viewers it really has no basis in reality. We have seen Andy turn to Perry when he really needed help. They behavd almost like friends for several seasons. And in the past several episodes he is downright rude without cause. It's simplistic and rather amateur writing IMO. There are other ways to create drama and suspense without abusing our main character. Tragg certainly never behaved that way. Submitted by DellaMason
One of the better episodes because of the presence of Julie Adams, because of the original jazz music by Van Cleave (which gives the episode an edge), and because of the references to the space program. The last was particularly enjoyable because I have visited the Kennedy Space Center at Cape Canaveral (it looks a little different now). Submitted by gracenote, 2/1/2011.
+ That is the same establishing shot as was used in TCOT Misguided Missile, which was set at Vandenburg AFB in California. It even shows the same air policeman with his dog. Submitted by vgy7ujm on 6 June 2020.
Perry Mason’s badgering of a certain witness should have been stopped by the judge. Of course, there was a reason he was doing it, but it still flies in the face of court procedure. The judge did not have to ask Perry to let the witness testify after calming down; he could have told him. Submitted by gracenote, 2/1/2011.
Burger argues that Brent, having read the suicide note, uses that as cover for killing Comstock. If Brent really thought Comstock was going to kill himself anyway, what would he gain by committing murder? DOD 02/01/22
It’s nice to see Tragg in this episode, but why do we see him? He seems far out of his jurisdiction; the cabin is supposedly near El Centro, and that’s not close to Los Angeles County! Submitted by Ed Zoerner, 8/14/2011.
+ I don't know how far Tragg was from retirement, but this is the famous episode where he can be seen talking into his torch and not his walkie talkie. Submitted by pauloh1 22/11/14
++ LOL, it initially looked like that, but he actually has his walkie talkie in the same hand as his flashlight. Submitted by mesave31, 04/12/15.
Paradoxical Proposal: Per a newspaper article's headline before the body was found, at 19:55 on the 2011 Paramount DVD, "Comstock's Suicide May Be Accidental". At the least it's more enticing than "Comstock's Death: Suicide? Accident?" Julie Adams _is_ to die for, if not sooner than one expects. lowercase masonite, 3/3/16.
You Are Now Leaving...: Perry and Paul go to the hunting cabin "La Casita", at 27:17 on the 2011 Paramount DVD. The "La Casita" sign faces the cabin, not any road leading to the cabin -- perhaps so that the cabin's residents don't also have to hunt for the name of the place where they're staying. lowercase masonite, 3/3/16.
It's for you, Mr. Burger this time, Hamilton receives a phone call, he's tracked to Perry's office. jfh 02Dec2016
This case also does a good job of showing the professional respect Hamilton, Tragg, Drake and Mason have for each other outside of the courtroom, working together to find the truth. Submitted by cgraul, 9/14/2011.
+ Something similar happened near the end of episode 144 TCOT Mystified Miner. Lt. Tragg, Lt. Anderson, Sgt. Brice, Paul Drake and Perry worked together to find a missing person and apprehend a suspect. Added by H. Mason 2/5/15
The poetry Comstock recites at the bar is based on Andrew Marvel's love-poem "You." Mike Bedard 7.9.16
The grave's a fine and private place; But none, I think, do there embrace --"To His Coy Mistress", by Andrew Marvell ...MikeM. 3/10/2017
"Conte Unchained." Seemingly determined to prove that his scenery chewing in "TCOT Injured Innocent" (#133) was no accident, actor John Conte really lets loose here as the conniving Roy Comstock. It's hard to figure out whether Conte is hamming it up because he's a ham or because he's playing a hammy character (Comstock) who's putting on an obvious performance, but, either way, subtlety is not the order of the day. Submitted by BobH, 17 February 2018.
+Conte has the most reptilian non-smile. He’s always flashing those choppers. Submitted by Wick 2/1/2022
"A Contean Footnote." Among PM guest actors, John Conte might well be considered the anti-Parley Baer. Baer appeared in six PM episodes and always played an "innocent" suspect, never the victim, murderer, or defendant. Conte appeared in five PM episodes and never played an "innocent" suspect, always the victim (3 times), murderer (once), or defendant (once). Submitted by BobH, 17 February 2018.
+ "Contean Footnote No.2." John Conte was a fine vocalist earlier in his career. Check out his excellent 1942 rendition of "Everything I Love," a terrific, lesser known Cole Porter tune, on YouTube at www.youtube.com/watch?v=BAlX41P2WIs. Submitted by BobH, 2 August 2018.
Another episode with the end book on the shelf upside down. This time, it's on the shelf seen behind Hamilton's right shoulder in F. J. Weatherby's office. jfh 30Mar2018
Suicide: One's last words I have a problem with the plausibility of one of the elements of this show. No it isn't the histrionics of Julie Adams or (eventually) Richard Jaeckel; nor is it the badgering scene (see above) - or that - even in the more casual world of 1963 - Perry would have even been able to acquire some of the info with which to engage in it. No... that's all pretty par for the course on PM; it's that a person, whether they were writng a real suicide note, or merely a fake one, would ever sign their last name to it. Signed, Notcom 042719.
+ I noticed that too. Odd to write a suicide note to your secretary (?) and put your last name. As if she would have known several Roys who died right around the same time. —yelocab 15MAY19
Condescending Perry: Of Mrs. Comstock who colluded in her husband's fake suicide and who transferred out of the country all the settlement money she'd received in her contrived divorce: "Maybe she's not a crook; maybe she's just a woman." hmmm ... jfh 02Jan2020
The episode name, Lover's Leap, makes no sense to me. For one they were married (divorced) so lovers seems not quite right and where is the leap. I would like something like the Deadly Divorce. Submitted by Perry Baby 7/29/16.
+ Married couples can be lovers, however, this couple was not married; Comstock leapt overboard (he swam ashore) to fake his suicide (Roy says to Valerie, "I'm dead, remember? I took the leap!"). jfh 02Dec2016.
++ Was the divorce final yet? In these days, divorcing couples first got an interlocutory decree (shown at the beginning) and then after a waiting period (a year?) the couple returns to court to have the divorce declared final. If the divorce is never declared final, they are still married. —yelocab 15MAY19
+++ Community property was divided and the resulting individual assets were moved to Mexico in furtherance of their scheme. In addition, during the trial, Perry refers to Roy and Valerie Comstock as "the recently divorced couple". It seems that the divorce was final. jfh 15May2020.
As indeed we should all remember, for such is the very raison d'etre for the action in the series' second episode...at least until someone goes and gets themselves killed. Notcom, 051719.
Perhaps 'Lover's Leap' had to do with Willie's obvious puppy love/lust for Valerie Comstock, and her trading on it .. it's so clear, his feelings for her, and her manipulation of him for it (telling Willie to beat up her husband's attorney!) and it also being clear to anyone BUT him that she has no real affection for him .. ah, desire unrequited! Submitted by MikeReese, 3/11/17
The title comes from the words of Willie (Richard Jaeckel) after he enters Valerie Comstock's beach house to tell her about the police finding the boat. "I guess they figured he took the leap alright" in saying that Roy Comstock committed suicide despite still being in love with her. Submitted by Kenmore 01/21/2022
The Name Game: Another story where the killer wasn't given a last name. Maybe Willie should share a cell with Buzzie (episode 57) and David (episode 95). Other stories with name problems are: episodes 13, 110, 130, and 140 where the first name of the murderer was never mentioned. In episodes 35, 93, and 141 initials (and no first names) were used. In #16 we're not sure if the name used after the killer's title was a first or last name. Finally in episode 165 the killer used an alias and the "real" name was never mentioned. Submitted by H. Mason 2/9/15