Anomaly: Jonathan Hole, the actor, is listed as Jonathon Hole. Posted by daveb, 12/20/2007.

When the judge looks at his watch to dismiss the court, if you look closely, you’ll see that he isn't wearing a watch! Submitted by Will Holman, 5/7/07.
+ Update: Upon watching the DVD version of this episode, it looks like there may be a watch there after all. More at the link above. Added by daveb, 5/15/2010.
++ Frank Wilcox JUDGED 8 Masons between 1957-60 & appeared in 20 Untouchables & 1 Ironside, Mod Squad & Wild, Wild West [IMDb]. Mike Bedard 2.17.15.

Talman’s last gasp. Apparently, the producers of Perry had two three episodes already filmed and in the can when William Talman was arrested and fired in March 1960, because even though William Talman had been fired 6 months earlier, he appears in this episode and the next episode [as well the previous episode]. A clue to the fact that this was a leftover from last season was the opening, which is identical to the previous season. Two episodes later, starting with #98 “TCOT Ill-Fated Faker,” a new opening appears for the rest of the season. See The Credits. Also read trivia items for episodes #87-89 and #95 and #97. Submitted by PaulDrake 33. Edited and expanded by gracep 10/14/2010.
+ Another clue suggesting this was a leftover from the previous season is in the turnover in the crew. For example, the producer here is Herbert Hirschmann, whereas starting in #98 Seeleg Lester has been promoted from associate producer to producer. Jackson Gillis takes over Letser’s other job as story consultant. Submitted by gracep, 10/15/2010.
++ Make that four episodes held over, numbers 94-97 (production numbers 99, 101-103; production episode 104 was the first to be produced after the firing). All four feature William Talman's name in the credits. Submitted by Wiseguy70005, 5/07/14.
+++ Three of these four episodes have as a centerpiece of their plots a man returning from a long and unexpected absence; is it just coincidence, or by placing them together like this was someone trying to suggest something ?? Suggesting something myself, Notcom 120917.

William Talman & William Hopper both served Very Honorably in WWII: "William Talman entered the Army as a private and saw 30 months of service in the Pacific...he won a commission to the rank of Major"; "Prior to being a Navy Frogman doing underwater demolition in the Pacific...[William Hopper's] hair was dark blonde, the stress of the danger turned it permanently White" ["Movie Stars of WWII,"]. Mike Bedard 2.17.15.
+ Yet, ten years after the war, in the first episode filmed - TCOT Motheaten Mink - William Hopper's hair is still noticibly darker than in later episodes. Stress causing rapid greying of the hair is a big myth. OLEF641 2/9/21

Hal Smith has a small part here as the supper club owner. Hal Smith is best known at the town drunk Otis in The Andy Griffith Show. Submitted by PaulDrake 33, 16 Jun 2009.

The book that the Domestic Tool & Die receptionist is reading at about 2:20 into the episode is Patty’s Romance, by Carolyn Wells. The book had a blue cover. (See here). This particular book was published in 1915 and seems to have been part of a series of books about “Patty Fairfield,” something of a Pollyanna figure, published in the early 20th century. Submitted by billp, 1 November 2009.

Location: Paul drives Dick Hart to the Pan American and JAL terminal at the intersection of Airport (100) and Avion (6000) in Los Angeles (LAX). The actual address is 5920 Avion (Municipally Owned and Operated). I don't think these particular buildings are there anymore. Anybody have any contemporary pictures? Submitted by billp. 1 November 2009. Some show pictures here.
+ The terminal building at 5920 Avion Drive seems to have been replaced with another. You can see it with street view at Google maps. It’s labeled United Cargo and doesn’t look like the building in the episode. Submitted by daveb, 11/3/2009.
++ By way of addendum, it occurs to me that Hartley Basset is seen walking in this same Pan Am terminal. (Pan Am does get a credit at the end of the episode). When Basset exits the terminal, you can see the cars coming down Airport Road towards the terminal and the parking lot across Avion. This is the direction from which Paul Drake approached the terminal. Compare the open doors Dick Hart goes in and Basset exits. They sure look to be the same. They likely filmed all these scenes at the terminal the same day. I'm thinking the scene with Tragg and Della at the Pan Am ticket counter was also filmed there. By the way, I think the jet plane is a Boeing 707-120. Pan Am flew the first production 707 on 20 December 1957. Submitted by billp, 2 November 2009.
+++ Actually the plane is the newer stretched version of the 707. It is the Boeing 707-321 (the 321 indicates a different model of the 707 .. usually the higher the number the bigger the model size). It allowed a higher takeoff weight and increased the passenger count from 110 to 147. That is not much by the aircraft that we fly today. The new Delta Boeing 737-900 will seat 180 people in a three class configuration. And by comparison, the 737 is one of the smaller aircraft that is commercially flown. Submitted by Bill767, 11/03/15

The gun that killed Hartley Basset is a Browning (M)1903 or Browning #2 pistol. The concealed hammer and the side/bottom cut-outs/scallops in the slide at the muzzle end etc. are consistent with this hypothesis. The weapon was made in the US by Colt in a .32 version. Elsewhere (Europe) it was made by FN (Fabrique Nationale d’Armes de Guerre Herstal Belgique) in a 9mm (.38) version. It was not uncommon for this pistol to be modified to fire the .38 ACP. So the description of the gun in the episode as a .38 is credible. It was also made in Sweden by Husqvarna Vapenfabriks. It was in production from 1903 till about 1942. It’s one of the forerunners of most semi-auto pistols in the world. By today’s standards it’s underpowered, but it is a reliable and accurate weapon. It is also characterized as a “comfortable” weapon. I think you get a sense of that just looking at it in this episode. To see if you agree or disagree with my identifications, compare here. Submitted by billp, 2 November 2009.

Sightings: Distinguished Gentleman #1 lurks in the shadows of the courtroom gallery. Quiet Old Man #155 also appears, sitting behind Sybil Basset. “Miss Carmody” looks rather interestedly on from her back-row seat. They all laugh rather merrily in one long shot at a remark made by Stanley Roderick (no, I won’t spoil it). Read more about these and other recurring spectators. Submitted by gracep, 10/13/2010.
+ We also see Distinguished Lady #4 in the back row. Distinguished Lady #2 make a very brief appearance behind Burger as court recesses for the last time and as they all exit the court. You really need a DVD to see this one. Submitted by Bill767, 11/03/15.
++ It goes by quickly, but I believe we also get a rare out-of-the-courtroom glimpse of the Cute Young Lady in the first moment of this episode, as she follows Hartley Basset down the stairway off the plane, and into the airport corridor. And judging by her outfit, the same woman also seems to be in line to buy a ticket in the very last scene. If it is indeed CYL, she's rather tall. JohnK, 2 October 2015.

Double Cute: In the early airport scene, on the stairs down from the plane, and in the corridor, there are two tall, dark-haired young women who look much alike. In some other episode, which escapes me at the moment, I believe the same two sit side-by-side in the courtroom. No way of knowing at this point, but I figure they are sisters. JohnK, 10 December 2017

Uncredited Actors: Robert Wegner is seen in the four airport shots and later in the last row of court behind Perry. He is seen four times with the Cute Lady that JohnK has mentioned. Submitted by Bill767, 11/13/15.

At least two series appearances by Robert Redford were held over to the following season: this episode, filmed in the third season before William Talman was fired, was held over to the fourth season; and his Twilight Zone episode, "Nothing in the Dark" was filmed during the second season (1960-61) but was held over to the middle of the third season (1/5/62). Submitted by Wiseguy70005, 8/25/12.

Syndicated cuts: Mrs. Basset telling Dawson that Hartley was murdered and she wishes she would have done it, Dawson looks for his gun but can't locate it and removes his toupee; Mason's conversation with Woodman; Drake in San Francisco and Fresno; Della asking Perry what he means and he responds that the preliminary hearing starts tomorrow.
Additional Hallmark cuts: Four sections of Dawson's first conversation with Perry: Mason stating that Dawson did not start a concern of his own and all his work benefited the Bassets, Dawson stating that Mrs. Basset had a son from her first marriage who was never a comfort to her, Dawson never thinking Basset would return and he would have made fair payment for his shares and his intentions were legal and honorable, Dawson wants protection now so Mrs. Basset would also be protected; Tragg telling Mason "Good morning" [In the uncut/syndicated versions Tragg says "you see, in the ordinary tou...good morning, see, in the ordinary toupee there may be 40-60,000 hairs..." The Hallmark version cuts from the first 'ordinary' to the second 'toupee.' This edit saved Hallmark four seconds of commercial time]; Stanley Roderick's entire testimony. Submitted by Wiseguy70005, 8/25/12.

CARS: (1) 1959 Ford Custom 300 Fordor Sedan, "Skyline Taxi Cab Co" on door.

During the excellent panning-shot of Paul's '58 T-Bird (starts @ 39:40) say "GoodBye" to the car. The next time Paul's driving a black T-Bird (Ep#100) it will be the 1960 model. Added by Gary Woloski, 8/26/12.

The Case of the Missing Sponsor: It's hard to determine how the closing credits of this episode should appear. This episode was produced in the third season; the third season had two lengths of episodes: one about 52:40 (shown with a sponsor in the closing credits) and shorter episodes about 51:20 (without a sponsor). Since this episode ran about 52:47 there should be a sponsor shown. However, this episode was broadcast in the fourth season where there didn't seem to be sponsors in the closing credits (unless CBS decided to stop including them on the 4th season sets). Also the true 4th season episodes average around 52:00. This all seems to be a moot point anyway because this episode on the 4th season set is not the "real" episode but apparently a "copy" of the episode from the 50th anniversary set where there are no sponsors shown (compare "Wary Wildcatter" from the 3rd season set and the anniversary set), the CBS film presentation notice at the end is silent and the CBS eye logo is cut short by the CBS television distribution logo. Submitted by Wiseguy70005, 5/07/14.

Franchise?: Was the Burgundy Club in San Francisco associated with the one seen in L.A. in episode 24 TCOT Deadly Double? Submitted by H. Mason 10/31/14
+ Not only the same Burgundy Club but the same taxi cab pulls up in front. We're supposed to believe it's Paul in the taxi but by the miracle of DVD freeze frame and slo-mo we can see that it's really Joyce Martel from episode 24! Submitted by Kilo 8/7/2017.

Writer Maurice Zimm wrote the acreenplay for a Raymond Burr film, "Affair in Havana" (1957), in which RB had to use a wheelchair following an accident...MikeM. 8/12/2016

Barbara Hale Alert...Turner Classic Movies showed one of Barbara's earliest screen appearances this morning, the musical comedy "Higher and Higher" from 1943. Barbara appears in scenes with Frank Sinatra. I think TCM shows its films online for free viewing for a week after the on air broadcast...MikeM. 11/18/2016

At 14:55, in front of the elevators, we see a partial shot of the building's office directory. Some of the names are obvious references to production crew. The directory is in two columns, so here is column 1 first, followed by column 2, with my comments:

R. G. HARMELL CO. 112 (possibly Assistant Director … Robert G. Stone)

DOMESTIC TOOL & DIE CO. 311 (The company featured in the episode)
R. S. THOMPSON CO. 312 (Properties … Ray Thompson)
SEID WHOLESALE 410 (Art Seid, A.C.E. || Assistant to the Producer)
{M?}ABELL INC. 502 (possibly Hair Stylist … Annabell, S.C.H.)
{??}ES & SONS 511 (possibly "GENES", as in Sound Effects Editor … Gene Eliot, M.P.S.E.; Music Editor … Gene Feldman)

Submitted by catyron, February 20th, 2021