#99: The Case of the
Original Airdate: 10/08/60
From The Perry Mason TV Show Book (Revised)
Perry himself is accused of obstructing justice when a woman—who previously faked her own suicide by running her empty car off a cliff—is accused of murdering the battered woman whom police found in the wreck.
Fans of Mister Ed will recognize Connie Hines, who played Wilbur’s wife in the popular comedy series, as Lucy Stevens, the defendant in this case.
Starring Raymond Burr
in The Case of THE SINGULAR DOUBLE
Based upon characters created by Erle Stanley Gardner
Barbara Hale, William Hopper, Ray Collins
Directed by Arthur Marks
Teleplay by Seeleg Lester
Story by Milton Gelman
Seeleg Lester || Producer
Gail Patrick Jackson || Executive Producer
Arthur Marks || Associate Producer
Produced by The CBS Television Network in association with Paisano Productions
Jackson Gillis || Story Consultant
Raymond Burr as Perry Mason
Barbara Hale as Della Street
William Hopper as Paul Drake
Ray Collins as Lt. Tragg
Harry Townes as Grosvenor Cutter
Connie Hines as Lucy Stevens
Arch Johnson as John Ruskin
Alan Baxter as Whitney Locke
Andrea King as Catherine Locke
Wilton Graff as Hugo Burnette
Mary Webster as Marjorie Ralston
Morris Ankrum as Judge
Michael Fox as Autopsy Surgeon
Sue England as Switchboard Girl
Richard Geary as Skin Diver
Art Seid, A.C.E. || Assistant to the Producer
Production Supervisor … Dewey Starkey
Director of Photography … Frank Redman, A.S.C.
Art Direction … Lewis Creber
Assistant Director … Robert G. Stone
Film Editor … Richard H. Cahoon, A.C.E.
Casting … Harvey Clermont
Makeup … Irving Pringle
Hair Stylist … Annabell, S.C.H.
Wardrobe Supervision … William Zacha, Evelyn Carruth
Set Decoration … Charles Q. Vassar
Sound Effects Editor … Gene Eliot, M.P.S.E.
Music Editor … Gene Feldman
Properties … Ray Thompson
Production Sound Mixer … Herman Lewis
Script Supervision … M.E.M. Gibsone
Sound … Glen Glenn Sound Co.
Titles and Opticals … Pacific Title
Perry Mason \ A Film Presentation
A CBS Television Network Production
According to the testimony of Hugo Burnette, an airplane flight from New York to Los Angeles in 1960 takes 5 1/2 hours. Submitted by PaulDrake 33, 6/30/2009.
Location: This episode opens at the Burbank Airport and you can see the exterior of the terminal and parking lot. I confirmed this with Les Copeland, president, of the Burbank Aviation Museum. Burbank Airport is now called Bob Hope Airport and has a slightly different facade. It is also featured in episodes #39, #99, #165, #220 and #258. Posted by Eric Cooper, 19 February 2010. Some pictures here.
+ This airport has had a number of names during its history. Currently known as Hollywood Butbank Airport, it began as United Airport in 1930. In 1934 it was renamed Union Air Terminal, and went through a number of renamings over the years, for various reasons: Lockheed Air Terminal (1940–1967, known informally, during at least the latter part of this period, as Burbank Airport), Hollywood–Burbank Airport (1967–1978), Burbank–Glendale–Pasadena Airport (1978–2003), Bob Hope Airport (2003-2017). It was the home, until 1989, of Lockheed's famous Skunk Works, where many famous planes were developed, such as the P-38 and the SR-71 Blackbird. OLEF641 2/11/21
Location: Quick shot of Stanley Mosk Courthouse about 30 minutes into the episode. Submitted by Eric Cooper, 28 September 2010.
Sightings: In the courtroom gallery, we find the Little Old Lady in a Hat, Distinguished Gentleman #1, “Miss Carmody,” Quiet Old Men #1 and #2, Distinguished Lady #2, and The Thin Man. Quite a crowd! More about these people here. Posted by daveb, 10/19/2010.
+ At a dramatic moment when Della, Perry, and Paul are conferring before a phone booth, Quiet Old Man #2 strolls by, dressed in a dark suit and hat. Submitted by gracenote, 23 June 2011.
+ In the back row of the court, we find Distinguished Lady #4. This seems to her favorite spot as we see her there quite often. Bill767, 1/3/16.
The Curious Coffee Set: A few cups from the Curious Coffee Set make an appearance in Perry's office. More info here. Submitted by daveb, 12/30/2010.
The Return of the Glass Carafe: Prior to the introduction of the Curious Coffee Set, Della used a Triangular Glass Carafe and glass coffee cups. When the Curious Coffee Set moved in, the Triangular Glass Carafe disappeared, to be replaced by a chrome coffee maker, but now it is back. It was manufactured by the Inland Glass company, and you can see it in full colour here: Submitted by catyon, 12/6/2017.
+ That is a perfect example of a 1960s design. Even though I was very young in the 60s, I remember the designs vividly. In a way, the carafe also reminds me of the Jetsons. Submitted by Arisia, 03/07/18
++ My mom had a similar carafe, with the same kind of markings, except it was round instead of triangular. Gosh, hadn't thought of it in simply forever! OLEF641. 2/11/21
Syndicated cuts: Lucy gets into her car, drives to the harbor, takes a packet of papers and puts a weight on the gas pedal; Mason drives Morgan to the harbor, meets Paul, car is pulled out of the water, Tragg joins them; Paul tails Burnette, Mason asks why he would travel that far to identify the body, Tragg asks why Drake is following Burnette; the autopsy surgeon's testimony [it was cut in episode 95 as well]. Submitted by Wiseguy70005, 8/25/12.
CARS in order of appearance; Cast cars numbered, background car lettered (a):
- (1) At the airport parking lot, Lucy puts an attaché case into a medium-color 1960 Mercury Montclair 4-Door Hardtop, Lic No TVC 235, owner Marjorie Ralston. Unknown to Lucy, Marjorie is watching her while standing beside a
- (a) 1959 Chevrolet Impala Sports Sedan 4-Door hardtop, 2-tone white/medium.
- (2) Lucy Stevens' car is a 1950 Chevrolet Styleline DeLuxe 2-Door Sedan, dark color, Lic No CVX 266, see screenshot at top of page.
- (3) Perry's black 1960 Ford Galaxie Special Sunliner, Lic UAR 076, top down.
- (4) A 1960 Dodge Matador 4-Door Sedan (or Polara), Police, 1960 California Highway Patrol paint (white front doors, remainder black), is background to Paul who's on the phone at the harbour recovery scene.
Cars (1) and (3) were in preceding episode. Perry's car still hasn't been washed! Added by Gary Woloski, 8 Sep 2012.
Two encore appearances for a familiar bus?
- In the opening scene of "Violent Village" (episode 80), we see an intercity bus -- an Aerocoach P-372 bearing a Trailways livery (color scheme) but no identifying lettering.
- In the opening scene of this episode (99), again we see a bus -- in the background of the parking lot and to the right of the commercial passenger terminal -- apparently the same Aerocoach, still with the Trailways livery and still without lettering.
- Later, in the waterfront scene during the extraction of the sunken Chevrolet, yet again we see a bus in the background -- the rear of the right side of a bus -- apparently the same Aerocoach.
Those two repeat appearances cause me to wonder whether that bus was one which the studio used to shuttle members of the cast or crew or both to and from shoot locations nearby. Submitted by DocRushing on 10 September 2012.
License plate: The plate number CVX 266 was used on John M. Carson's stolen car in episode 63 TCOT Calendar Girl. Added by H. Mason 11/1/14
Telephone number: The number (Hollywood 2-0799) seen on Lucy's phone was Doris Petrie's number in episode 76 TCOT Golden Fraud. Submitted by H. Mason 11/1/14
Same Bank: The check Lucy wrote to her "cousin" was from the Wilshire Bank. The George Livingston account was opened at a branch of the same bank in episode 84 TCOT Gallant Grafter. Submitted by H. Mason 11/1/14
This is the second of five PM appearances by Harry Townes. In 1974, Townes was ordained as an Episcopal priest...MikeM. 8/17/2016
This is the only PM writing/story credit for Milton Gelman, who wrote seven episodes of Tales of Wells Fargo...MIkeM. 11/23/2016
(These "PLATE" articles are intended as a primer on the vehicle license plates appearing in the whole of the Perry Mason series.)
LICENSE PLATES. From 1956 to 1962, all California Vehicle License Plates were the 1956-Pattern having chrome-yellow base color with black characters. This so-called "Yellow-Plate" was a "Mandatory General Issue" of a pair of front & rear plates in January 1956 replacing all previous plates on all vehicles. For 1956, front and rear plates were identical, with no Validation Tags or Stickers affixed, just as in the linked image. For subsequent years, a single Validation Tag was affixed along the top of the rear plate, as on this 1960 rear plate.
The '56-Pattern was completely replaced by the Mandatory General Issue "1963 Black-Plate" which was California's last general plate re-issue and the sole California base-plate until end-69. Wiki article with full history here. Also see this 2012 news. Genuine plates during Perry Mason filming were:
- 1956: Pair of 1956 black-on-yellow plates, no sticker.
- 1957: 1956 plates with 1957 sticker (black on red).
- 1958: 1956 plates with 1958 sticker (white on green).
- 1959: 1956 plates with 1959 sticker (black on ivory).
- 1960: 1956 plates with 1960 sticker (silver on blue).
- 1961: 1956 plates with 1961 sticker (silver on red).
- 1962: 1956 plates with 1962 sticker (green on ivory).
- 1963: General re-issue, pair of yellow-on-black 1963 plates, no sticker.
- 1964: 1963 plates with 1964 sticker (black on white).
- 1965: 1963 plates with 1965 sticker (black on orange).
- 1966: 1963 plates with 1966 sticker (black on yellow).
In this Episode 99, the rear plate on Marjorie's Mercury is shown twice in close-up at 1:20 & 3:41. The plate can be seen to be authentic, with what appears to be the correct 1960 silver-on-blue sticker. The front plate of Lucy's old Chevy is seen as she leaves her apartment (10:06), then twice at the dock (the second time is just after the screenshot at top of this page). It's only the front plate shown, so we don't see the year sticker. I am convinced that:
- the regular passenger-car License Plates seen throughout Perry Mason are genuine and
- the plates seen on each car are almost always the plates actually issued for that car by the California DMV. I write "almost" because there are at least two sets of Rogue Plates which appear on different cars in different episodes: DHR 786 & KYL 907. See Trivia, Ep#s 44 & 51 and Comments Ep#107.
Added by Gary Woloski 9/15/12, revision 4/9/14.
"EXEMPT" PLATES. The strange symbols on police car license plates are "E"s in diamonds or octagons, indicating "Exempt" Plates. In the State of California, Exempt Plates were issued for vehicles owned or leased by federal, state or local government or by certain non-profit organizations (eg: Red Cross, volunteer Fire Depts in unincorporated areas). They were called "Exempt" because the agencies were exempt from paying vehicle registration fees. Nearly all of the "Exempt" plates seen in Perry Mason are props (FAKE).
Genuine Exempt Plates were the same size and color-scheme as the general-issue plate of the day and were embossed with the exempt designator followed by either five or six numerals. The "Exempt" designator symbol was:
- an "E" in a Diamond for cars (eg: California Highway Patrol [CHP]) or
- an "E" in an Octagon for exempt cars.
Up to mid-Season 6, the only authentic Exempt Plates I've spotted in the series are:
- E 19400 on B&W 1957 Ford Custom Fordor Sedan in Ep#1,
- E 91605 on 1956 Chevrolet 150 Handyman station wagon in Ep#117 and
- E 78975 on '57 Ford Custom 4-Dr Sedan in Ep#138.
All the rest of the "Exempt Plates" up to mid-Season 6 are props. These might have been fashioned by affixing a card (imprinted solely with an "Exempt" symbol) over the first three characters (letters) of the regular passenger-car plate issued to the "POLICE" replicar used in the show. Examples:
- fake plate E 313 on B&W 1958 Plymouth 4-Door Sedan in Ep#46 and
- fake plate E 943 on B&W 1959 Plymouth Savoy 4-Door Sedan in Ep#56.
The images linked-to above illustrate the '56-issue yellow-plate. During Season 6 the prop "Exempt" plates switch to black-plates at the appropriate time.
As of Year 2013, the "E"-in-octagon and -diamond symbols are being phased-out and replaced by a simpler design with "CA EXEMPT" written across the top edge. Phase-out began perhaps as early as 1999. At mid-2013, the CA DMV website stated "DMV will no longer issue diamond and octagon designations when current supplies are exhausted, although both will remain valid." Added by Gary Woloski, 7/16/13.
: (1) Encyclopedia of American Police Cars by Edwin J Sanow, esp. p38 (CHP caption). Also, cover photo & its description on "Dedication" page.
. . . . (2) Police Cars - A Photographic History by Monty McCord.
I wonder where Lucy Stevens picked up that technique for ditching the car? I don't think I would have placed such confidence in the parking brake on an old heap like that. JohnK, 3 October 2015
+ Old heap? From YOUR perspective in 2015 maybe. However, at the time the episode was filmed it was a brand new, state-off-site-art vehicle. Back then parking brakes WERE reliable, and COULD stop cars. In fact, the technique used by chauffeurs to do a high-speed 360° to avoid a potential hijacking ONLY works on a car with parking brakes like that. Another few years later the parking brakes automatically released by putting the vehicle in gear; then it was much easier to fake a suicide :p - Submitted by Arisia, 03/07/18
++ Actually, the faked-suicide car was a 1950 model (see Cars above), not brand new, but hardly an "old heap" either, being only 10 years old, and this in the days when people kept cars longer and took better care of them. (BTW, I think Arisa means "a high-speed 180°"; 360° would leave you facing the same way you were before you started :-)). OLEF641 2/12/21
Must have been a slow news day in New York if a car going off a pier in Los Angeles made the papers there.
Why did Lucy consult Perry in the first place?
Many episodes, including the previous ‘Ill Fated Faker’ rely on rather casual identification of a body. In this show, however, even with two people I.D.ing the body as Lucy, the police conclude otherwise. DOD 09/17/19
People go skin-diving in Los Angeles harbor? submitted by vgy7ujm, 11 April 2020
Marjorie Ralston must have had a lot of time on her hands, since I counted about 12 bundles of money, each one containing about 250 pieces of newspaper cut to the size of a $20 dollar bill. That would be 3000 pieces of newspaper cut up. Surely she could have used something a little less time consuming to take the place of the real money.
An inside joke? When the bundles of cut up newspaper are spilled on the desk, one bundle clearly reads ‘hot air’. DOD 09/17/19
+ And speaking of the cut up money, why didn’t Locke or Burnette think to examine the cut up newspaper for a date and the name of the newspaper. Since Lucy Stevens had just flown in from New York, there would have been no way she could have cut up 3000 pieces of an old Los Angeles newspaper. Submitted by PaulDrake 33, 10/24/2010.
++ She could have planned it in advance and taken the cut paper with her or left it in an airport locker. Added by H. Mason 11/1/14
Lucy was Burnette’s secretary and his office was in New York. So why did she have an L.A. apartment? DOD 09/17/19
+ Apparently Burnette was in his Los Angeles office. After the phone call from Locke about the faked money, the camera pulls out and you can see the Los Angeles Times headquarters building throught the sheer curtains covering his office window ;-) OLEF641 2/12/21
How did Marjorie Ralston's body get into Lucy's car? That is, without Lucy noticing and recoiling in horror? Granted, cars were a lot bigger then, but wouldn't she have noticed a body in the back seat of her coupe? JohnK, 25 December 2015
+ Not necessarily. The body was wearing a black dress and was removed from the wreck from the driver's side, head first, of the two-door car. The body could have been on the floor in the back, with the loose carpet or part of the dress covering the body's head. The front seats fold forward to allow access to the back. With the seats back they provide a small triangle of access to the unlit back. Lucy never looked into the back. However, she was running scared and still had left her car unlocked. A mystery is why she didn't consult Perry before running her car into the water. And with all the cars parked across the street, did she ever consider that someone might notice her? Submitted by (lowercase, with a comma and period) masonite, 02/18/19.
Alfred Hitchcock's Psycho was released exactly one month before this episode aired. There appear to be several homages to that film here. The blond woman packing up to leave the seedy motel room and putting on a kerchief. The car sinking into the water, followed by the woman staring off into the distance. The crane lifting the car out of the water.